New Bedford artist Frances Eliot Gifford (1844-1931) was recognized as an accomplished illustrator and celebrated for her representations of birds both alone and in landscapes.
Elizabeth Wrightington Marble (1825-1894) proved her mettle by joining her husband Captain John Marble on two whaling voyages – the Kathleen (1857-1860) and the Awashonks (1860-1862) out of New Bedford.
A color theory pioneer, artist, collector and philanthropist, Emily Noyes Vanderpoel (1842-1939) wrote the 1902 book Color Problems: A Practical Manual for the Lay Student of Color, a 400-page text that analyzes color proportions of objects to quantify the effect of color on the imagination.
Passionate about making sure that she and fellow factory workers were compensated fairly, Aurélia Lebeau (1874-1955) became one of the first female textile union leaders in New England.
A staunch abolitionist, activist, and educator at heart, Deborah Weston (1814 -????) was key in promoting anti-slavery ideals in Massachusetts, especially in New Bedford and Boston.
Westport’s Ruby Devol Finch (1804-1866), whose works can be found in the collections of Colonial Williamsburg and the American Folk Art Museum, is considered to be one of the most uniquely creative female American folk artists of her time.
Anna Murray Douglass (c. 1813-1882), born in freedom in Maryland, secured funds for enslaved Frederick to escape to New York, where the couple would marry before moving to New Bedford.
Educator, author, and entomologist Ida Mitchell Eliot (1839-1923) taught throughout the United States, co-edited the much-celebrated Poetry for Home and School in 1877, and co-authored one of the first books on caterpillars and moths in 1902.